Showing posts with label editor/agent pitch. Show all posts
Showing posts with label editor/agent pitch. Show all posts

Friday, September 11, 2009

Writing is not for sissies

Rejections are inevitable. Critique groups will never think your writing is perfect.

You can take a page to a critique session, get feedback, modify the page, and then take it back to the next critique only to be told that there are still several things “wrong”.

That sounds extremely harsh, but it is not meant to be. The fact of the matter is, when you get a group of people to read your work everyone will have a difference of opinion. Every editor or agent will have a difference of opinion.

For those of you who are published authors, you can attest to the title of this blog post. Writing and the processing of getting published, whether your first or fifth novel can be a daunting task. The publishing industry is not for sissies!

Aspiring authors may have or may not have had the pleasure of receiving your first rejection yet. Just remember this: A rejection is a right of passage. It means you have finished a novel and taken that step of putting your heart out there and submitted your work for someone to read. It also means that an editor or agent has taken the time to read your work. That is a huge feat. (not huge feet)

In recent weeks, a couple of fellow writers have received rejection letters either from an agent or from an editor. Does it really matter as to which? No. What matters is that these writers put themselves out there and were told, “Thanks, but no thanks.”

Is this a bad thing?

Sounds like a ridiculous question, especially if you are asking the author of the denied novel. BUT, it is not.

Both of the writers I mentioned actually received responses to their work that gave specific reasons as to the rejection.

Hallelujah! That is a tremendous help. These authors should and I know one did already take the offered critique, ponder it, and decide to modify, or move on elsewhere.

Unfortunately, not every agent or editor will take the time to offer advice or give you their opinion. I, myself, have received very nice one-liners that said, “This story is not right for me.” Or “I am not taking on new clients at this time.” Or any number of various reasons for rejection. Heck, there are those that you don’t hear from for months even after the story has already been accepted for publication by someone else. The worst is when your submission ends up in a black hole and you never even know if your work was received.

Now that you have received a rejection or several, a decision has to be made.

Do you give up, throw in the towel, turn tail and run away? Or do you straighten that spine, get a stiff upper lift, maybe buy a suit of armor to cover your chest and protect your heart?

This is when you decide whether you want to get published bad enough. This is when you decide whether you are a sissy or not. The publishing business is not for the weak at heart and the spineless. Pardon the expression, but this juncture is when you grow a set of balls or let them shrivel up and away.

Me, people will tell you that I have no patience. SHRUG! So, and your point would be?

BUT, I have the persistence of a pitbull who wants those pants attached to the man’s ass. (Okay, maybe not the best image, but you get the picture.) In the publishing industry, it takes persistence to get what you, the writer, want. Nothing will ever be handed to you on a silver platter. It never is in anything that is of huge importance to you. If you do not have to work hard for what you want in life or writing then it is not worth it in the end.

So what you receive a rejection. Have a good cry, eat a pint or gallon of ice cream, even feel free to give your pillow several hard punches. Got that out of your system?

Now, do you want to get published? How badly? How important is it to you to see your name on the cover of a book?

Know this. From here on, it only gets harder. Writing a story is hard work, creating it so it meets guidelines that you are not completely aware of is daunting, but tossing your story out there and getting your heart stomped on is the toughest thing you will ever have to go through in this business.

Is it worth it? This is the question that you and only you can answer.

If you answer yes then take the critiques offered by the editors or agents, the various critiques groups you may write with, and decide what is valid to your story. If you listen to the opinions of others, will it help you in achieving that “author” goal?

Take a step back and look at the advice the editor or agent, or critter offered. Now that you have gotten past the “rejection” word, gotten over your mad, does the suggestion make sense? Will cutting 8000 words make it a better and faster paced story? Will deleting most taglines or almost all “ly” adverbs make your story more readable?

Did you submit your manuscript to the right editor or agent? Publishing is not a one-size fits all kind of thing. If that were the case then we would not need so many agencies and writers. Do not send your children’s story to a non-fiction agent. Do not send your contemporary romance to a historical editor. Do not send your very dark thriller to a publisher who produces romantic comedies.

What you write may come from your heart, but the editor or agent is not hooked into that process because your “feelings” are not what they sell. It is the work, the words, the story, that makes a difference.

A rejection is not personal. It is professional. Suck it up! Do the right thing, go back to your story, and fix it.

We want to see your name in the “author” column! And if you need help along the way, you will find that most writers/authors are always willing to offer a tip, a pat on the back, or a box of tissues. Just ask.

Good luck!! Other writers, feel free to share your rejection and success stroies to help boost those who are on the verge of giving up.

Monday, March 30, 2009

Editor/Agent Pitches - Feel the pain

Last night, I returned from my long weekend at the Expo - exhausted. But, I did manage to read some of my email. In it was a message from one of the writers who attended the NEC conference this weekend. Apparently, she gave a pitch to an agent and it did not turn out well.

I have no details other than she never wants to do it again. :-)

How many of you have ever felt the same way? Maybe the agent/editor did not ask for anything? How about the editor/agent asked for a submission only to reject you via letter?

This writer's answer to her pain is to never pitch in person again. Can you sympathize or what?

How do we boost her and any other writer's confidence and get them prepped for taking on the in-person task of sharing her passion with the ultimate being YES - GIVE ME YOUR WORK but the scarier response being THANKS BUT NO THANKS?

Being a person who used to spend her time in front of classrooms teaching computers to business folks and more computer literate people than myself, I know how it feels to put yourself out there. Maybe I'm immune to rejection because I know I can never be 100% to everyone, not even myself. But I don't think that's how I survived getting rejections on my manuscripts.

So how do you survive the pitches?

Here is one theory. Know this. . .There is always someone who won't like you or your manuscript. In opposition to that there is always someone who will like you or your manuscript. Believe me!

Look at the pitch as an opportunity to learn from it and go in with no expectations. It used to take me 3 times teaching a class before I was comfortable and good at it. Each time I improved and enjoyed it more. Pitches and queries are the same. Take away from each meeting/response how you could improve your pitch, if at all. Also, remember that it could be that the particular agent/editor just does not like your kind of story and it has nothing to do with your pitch or writing. No matter what you do, you would not succeed with the wrong agent/editor.

With that in mind, research the editor/agent you are going to pitch to. If you write cozy mysteries, don't waste your time or the editor/agent when all they do is historical romance.

Remember, that even big-time published authors still get rejections. Yup, it is true.

What else? Anyone want to add their 2 cents??

Friday, November 21, 2008

First Review of IT HAPPENS IN THREES

I'm working on the content for my website, so the other day I contacted my editor and asked if she had received any reviews back yet. What Lisa sent me was the review that will be on the book cover. See below:

Denise Robbins' delicious debut novel, It Happens in Threes, begins with a bang and doesn't let up. Fueled by a heady mix of action, suspense, humor, and romance--and a couple of thoroughly engaging protagonists--the book kept me turning pages (and hoping that the wild, sexy ride wouldn't end!). IHT marks the launch of a career to watch.

--David Daniel, author of Reunion and The Marble Kite


Thank you David! http://www.daviddanielbooks.com/

Wednesday, November 19, 2008

My Manuscript is complete!

Yeehaw! Yes, this is me doing the happy dance!! I officially finished my second manuscript this morning and it feels EXCELLENT! Okay, it felt so good I actually teared up because I DID IT!

Now, I'm waiting hear back from my critique friends as to what they think and then send to my editor. YES! Throw my hand in the air in a sign of triumph.

What do you do after you complete a manuscript?? Go to Disney World?! NOT!
You edit. Yes, you've been doing that all along, but now you do the nasty search for those passive voice sentences, and as my father like to point out (too many contractions).

And yup, already did that today. Let me tell you, 318 pages takes a long time to go through to make certain you caught all the bad stuff. Hours and hours. And even after I went through once, I had MSFT Word do the grammar check on it and of course it still found some leftovers.

Anyway, big sigh. I feel good, no great, no flippin' fantastic! I did it, I did it!! Be jealous.
Now I gotta come up with the next in the series. :-) My hero Jake is going to take center stage. Stay tuned.

Thursday, October 16, 2008

Writer's Group Meetings - What do we talk about??

This past weekend the New Hampshire Romance Writer's Group met for their monthly meeting. If you've never attended a meeting it is truly worth it.

Why?

Because it can be a hoot. We always talk about the "business" side of the group and upcoming events which are listed on their website at http://nhrwa.tripod.com/, but more importantly we talk about things that we're struggling with.

For example:

The PITCH - the infamous 5 to 8 minutes you get with an editor or agent. How the idea of that meeting makes your palms sweat and you want to wet yourself due to nerves. This past Saturday we went around and helped each other get that 1 to 3 sentence description of what you want to say to the editor or agent so they ask for more. That would be kinda like a hook!!

One of the members spoke up when people were talking about how nervous they were. She said the editor pitch is kinda like sex. "Even if it isn't great, you still had sex." Funny thing, she's right. Look at the pitch as an opportunity and if you never take it you won't get any further. Even if you blow it (which kinda isn't possible because you're selling yourself and your writing - what's not to love), but let's say the agent/editor doesn't ask for any more, you still took the step, learned from it, and now you move on to the next one and you won't be so nervous.

BTW - I highly recommend any of those workshops on "how to write a pitch". They're usua;;y very good at narrowing down your long-winded spiel, or beefing up your hook.

I say go for it!! And good luck!

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